I suppose one of the things I could have been doing all year was give you a running commentary on Liverpool’s Capital of Culture exploits… Truth is, I’ve seen very little of it – tho this is more an indictment of my own inability to get out and about, I guess. We had one of the superlambananas at the top of the street, and they replanted the sections of garden in the boulevard at that end and halfway down (if this is part of the City of Culture redecorations then I guess the rest of the boulevard was deemed a bit less cultural).
Biennial opened last weekend and some of that looks really good – enjoyed the FACT and Bluecoat exhibitions, yet to see the Tate and Walker material. But here’s a different art-in-Liverpool story you may have missed, sadly with a few elements that could run as symptomatic of Scouse life in the tabloids’ cultural pages…
Tracey Emin’s bird stolen! Then returned! Then stolen again! Then returned again! The sculpture (‘Roman Standard’) has been in the grounds of the Oratory by the Anglican Cathedral since 2005, a welcome sight for me on the walk to work. It got the usual complaints about the cost of public art when it was installed, and the hospitals-not-art camp got more encouragement after the first theft when they discovered that the original £60,000 was a commission, not a purchase, and since the owner had not reported the bird stolen the police were unable to investigate. (see lazy article from
The Telegraph.)
Quaintly, the bird was returned anonymously in an envelope with the message ‘We would have returned it sooner but we were scared…’, but it got taken again a couple of weeks later. The Echo reported it had been handed in to the police on 15 September, and since then there’s been a statement from Emin that it will be permanently removed if there’s more trouble (
BBC 26 Sep), but there’s as yet no sign of the bird on the pole…

Perhaps this could be Liverpool’s empty plinth? A series of temporary works on the pole: answers London, brings more people to the site, remembers the bird and its flight more evocatively than having a nasty plastic replica on top… I propose a balancing man made of a cork, nail and pipe cleaners.